(Trumpet, 1924–72) The star of fame never shone brightly enough upon trumpeter Kenny Dorham, who too often took a back seat to his peers. He played with Dizzy Gillespie, Billy Eckstine and Lionel Hampton before joining Charlie Parker’s bebop band in 1948. Dorham was a founding member of Art Blakey’s Jazz Messengers in 1954, then replaced Clifford ...
(Drums, 1914–85) Kenny ‘Klook’ Clarke was a native of Pittsburgh, but made his primary contribution to jazz in New York in the early flowerings of bebop. Clarke, who adopted the Muslim faith as Liaquat Ali Salaam in 1946, is widely credited with developing the new rhythmic concepts that fuelled bebop. His work with Dizzy Gillespie and especially ...
(Soprano and alto saxophones, b. 1956) Kenny Gorelick came up as a sideman in Jeff Lorber’s fusion band of the 1970s, before releasing his first R&B-flavoured recordings as a leader in the early 1980s. He hit pay dirt in 1986 with his phenomenally successful Duotones, which sold millions on the strength of his huge radioplay hit ‘Songbird’. His ...
(Fiddle, b. 1926) Bill Monroe often introduced Kenny Baker onstage as ‘the greatest fiddler in bluegrass music’. It was no exaggeration, for Baker, a third-generation fiddler from Kentucky, was capable of blistering breaks, elegant, long-bow phrases and swinging syncopation. He joined Monroe in 1956 and played with him off and on for more than 30 ...
(Vocals, b. 1938) In the early 1960s Rogers joined The New Christy Minstrels, and formed The First Edition in 1968. The following year, the group became Kenny Rogers And The First Edition. Their worldwide hit, ‘Ruby Don’t Take Your Love To Town’, was written by Mel Tillis. In 1973, Rogers went solo, and 1977 brought ...
(Alto saxophone, bass clarinet, flute, 1928–64) In the six years before his untimely death, Eric Dolphy became one of the most beloved and influential musicians in jazz. Brilliant on alto saxophone, he also helped to legitimize the flute and bass clarinet as viable jazz horns. Dolphy worked in relative obscurity until 1958, when he was ...
The cultural momentum of the 1950s spilled directly into the 1960s – arguably, the change of the decade (and century) in jazz was 1959, when Dave Brubeck, Miles Davis, Ornette Coleman, John Coltrane, Gil Evans, Lambert, Hendricks & Ross, Jackie McLean, Charles Mingus, Thelonious Monk, Wes Montgomery, Sun ...
When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...
Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...
(Vocals, b. 1945) Arguably one of Canada’s finest vocal exports, over 25 of Murray’s 50-plus country hits between 1970 and 1991 crossed over to the pop chart. Ten country No. 1s in that period curiously did not include her two million-selling pop chart-toppers – ‘Snowbird’ (1970) and ‘You Needed Me’ (1978). Apart from these, Murray delivered 1980’s ‘Could ...
Few genres are as closely identified with one person as bluegrass is with Bill Monroe (vocals, mandolin, 1911–96). Monroe not only defined the style’s instrumentation, style and repertoire, he also hired most of its major figures and gave the music its name – taken from his group, The Blue Grass Boys. Kentucky Roots Raised on his ...
Charlie Christian was the last great figure to emerge from the jazz scene of the 1930s. He not only brought a perfectly formed approach to his music, but also an entirely new musical platform – the electric guitar. His career in the big time was brief, but Christian was a lighthouse whose beam still illuminates anyone with serious intentions ...
Charlie Parker, also known as ‘Yardbird’ or ‘Bird’, was a largely self-taught musical genius with acute self-destructive tendencies. His career exemplified both the creative power and the destructive social ethos of bebop. His music burned as brightly as any in jazz, but his lifestyle sent out the wrong message to too many young musicians, despite his frequent warnings ...
(Cornet, trumpet, b. 1946) The Essex-born trumpeter worked as both a sideman and a leader in a wide variety of settings throughout the 1970s, before later branching out as a jazz educator, author and radio broadcaster. A key figure in establishing the jazz section of Britain’s Musician Union, he also founded the National Jazz Foundation Archive. ...
Dolly Rebecca Parton was born on 19 January 1946, in Locust Ridge, Tennessee. Immediately after graduation in the summer of 1964, she travelled from the Blue Ridge Mountains to Nashville, taking with her dreams of country stardom and little else. Ever since, she has thrilled audiences worldwide. An entertainer extraordinaire, Dolly has also become an ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.